THE THREE MUSKETEERS (1973) Movie Poster, Original Vintage Daybill
Size AU Daybill Post-War (13" x 30")
THE THREE MUSKETEERS (1973) Original Vintage Daybill Movie Poster, Starring Michael York, Oliver Reed, Raquel Welsh, Richard Chamberlain, Directed by Richard Lester is in Very Fine- Condition. Movie Poster and...
THE THREE MUSKETEERS (1973) Original Vintage Daybill Movie Poster, Starring Michael York, Oliver Reed, Raquel Welsh, Richard Chamberlain, Directed by Richard Lester is in Very Fine- Condition.
Movie Poster and Condition.
Condition: This Original Daybill, Movie Poster is presented in Very Fine- condition, 2 Daybill Folds as issued, 2 pieces of tape still attached at the top with a small tear on the left hand top side and 1cm tear on the right hand side on the 1st fold and some minor edgewear and handling wear, otherwise this poster presents in great condition with a colourful clean presentation.
This original vintage Australian daybill movie poster advertises The Three Musketeers (1973), the celebrated swashbuckling adventure based on Alexandre Dumas' classic novel. With its colourful presentation and authentic period character, this original film poster is an appealing collectible for fans of classic adventure movies, historical cinema and vintage movie memorabilia. Its Australian daybill format also makes it a distinctive addition to a collection of original 1970s movie posters.
Movie Synopsis
The Three Musketeers (1973) is a lively historical adventure film directed by Richard Lester, adapting the famous 1844 novel by French writer Alexandre Dumas. Set in seventeenth-century France, the story follows a young swordsman whose ambition, courage and impulsive nature lead him into a world of duels, political intrigue, romance and daring exploits. Combining action, comedy and period drama, the film offers a spirited interpretation of one of literature's most enduring adventure stories.
Michael York stars as d'Artagnan, a determined young man who leaves home to pursue his dream of joining the King's Musketeers in Paris. Proud, energetic and quick to take offence, d'Artagnan soon finds himself entangled in a series of confrontations with three experienced swordsmen: Athos, Porthos and Aramis. Played by Oliver Reed, Frank Finlay and Richard Chamberlain, respectively, these formidable companions initially challenge the newcomer but gradually recognise his courage and potential. Their friendship becomes the heart of the adventure, united by the famous motto, “All for one and one for all.”
Paris proves to be a dangerous place for the ambitious young swordsman. The Musketeers operate in a world where personal honour, royal loyalty and political ambition frequently collide. France is ruled by King Louis XIII, played by Jean-Pierre Cassel, while the powerful Cardinal Richelieu, portrayed by Charlton Heston, seeks to strengthen his influence over the crown. Richelieu's schemes create tension at court and place the Musketeers in opposition to powerful figures who would prefer to see their loyalty tested.
The plot becomes increasingly complicated when d'Artagnan encounters Constance Bonacieux, played by Raquel Welch, whose connection to Queen Anne draws him into a delicate political affair. The queen, portrayed by Geraldine Chaplin, is caught in a web of courtly suspicion involving the Duke of Buckingham and a set of valuable diamond studs. When the queen's reputation and position are threatened, d'Artagnan and his companions undertake a perilous mission to protect her honour and thwart Richelieu's ambitions.
The Musketeers must rely on swordsmanship, quick thinking, disguises and teamwork as they confront ambushes, rival guards and the manipulations of the mysterious Milady de Winter, played by Faye Dunaway. Milady is an intelligent and dangerous adversary whose loyalties are difficult to establish. Her involvement adds suspense and intrigue, ensuring that the heroes face challenges beyond straightforward sword fights. Throughout the journey, d'Artagnan learns that bravery requires more than confidence; it also demands judgement, loyalty and an understanding of the people around him.
Richard Lester brings a distinctive style to the production, mixing elaborate sword fights with physical comedy, lively character interactions and a deliberately untidy sense of realism. Rather than presenting every duel as a perfectly choreographed spectacle, the action often feels chaotic and unpredictable, with characters stumbling, improvising and using whatever opportunities arise. This approach gives the film a playful energy while retaining the excitement expected from a classic swashbuckler.
The impressive cast also includes Christopher Lee as the Comte de Rochefort, adding another memorable antagonist to the story. The screenplay by George MacDonald Fraser retains the spirit of Dumas' adventure while adapting its sprawling narrative for the screen. The film's production was notable for its substantial ensemble cast, period costumes and European locations, which help evoke the atmosphere of seventeenth-century France.
Released in 1973, The Three Musketeers became a well-regarded adaptation of the classic tale and was followed by The Four Musketeers in 1974, continuing the characters' adventures. Its combination of memorable performances, comedy, romance and swordplay has helped it remain a favourite among enthusiasts of classic adventure cinema. This original 1973 movie poster celebrates a much-loved interpretation of Dumas' literary classic and offers collectors an authentic piece of vintage film advertising from the golden age of theatrical movie-going.
To find out more about The Three Musketeers (1973) click here to go to IMDB.com.
Special Notes.
Images may have a small 'MPA' digital watermark and this does not appear on the poster. Posters are being held by magnets in the corners to take photographs, so you may see some magnet and shadows from the magnets in these areas. The magnets are not included in the sale of the item.
Postage, Insurance & Your Country Taxes
Postage costs are quoted for this item, include insurance up to AUD$100, but if you reside outside of Australia, the price does not include any import taxes/fees that you may be required to pay when the item reaches your borders. Please check with your local authorities for any additional taxes or fees. If you would like full insurance coverage for your purchase, please message me and I would be happy to quote the additional cost (estimate is AUD$2.50 p/AUD$100 or 2.5% of the item value, up to a maximum item value of AUD$5,000).
FAQ
At Movie Posters Australia, the love and conservation of movie posters comes first, and we like to share this passion. Our commitment to quality means we will provide high quality memorabilia to our customers. Posters are carefully chosen and authenticated to ensure originality and value. We want our customers to trust MPA, so we always try to be as open and transparent as we can, provide detailed condition information and images, to ensure customers are comfortable and confident in their purchase.
While the industry does have a few condition rating standards, there is no movie poster condition rating system that has become the accepted standard world wide. This unfortunately makes condition terms vary from movie poster dealer to movie poster dealer. Terms like Mint, Near Mint, Very Fine, Fine, Very Good, Good, Fair, Poor, seem to be universal to most condition rating standards, but most standards still lack definition about what and how many flaws/defects/damage defines a specific condition level. For more information on how Movie Posters Australia grades the condition of its movie posters, daybills, lobby cards and other ephemera please see out Movie Poster Condition and Grading page.
In the early days of cinema, posters were primarily hand-drawn and printed in various sizes, often tailored to fit the available space in theaters or promotional areas. In the United States, the "One Sheet" size (some times called '1 Sheet' or '1SH' approximately 27" x 41", became the standard during the 1930s. This size was manageable for theater display and suited the needs of a growing film industry.
Different countries developed their own poster sizes and styles, which also changed sometimes over the decades, and were influenced by local preferences and practical considerations, like available paper sheet sizes and how many posters could be printed on one sheet.
In Australia, the most popular size, the Daybill, has evolved over the decades. Australian Daybills sizes in chronological order are:
- Long Daybills (15" x 40"), from 1920's to pre-WW2 or pre-1941, were printed two to a sheet, longer than current Daybill versions. There were size variances in width from 14.5" to 15" and in height from 39.5" to 40".
- War Time Daybill (10" x 30"), during WW2, for a short time to conserve paper during a war time shortage, four Daybills were printed on one sheet. Information from Press Sheets also referred to these War-Time sizes as "New Size Daybills".
- Post-War Daybill (13" x 30"), this 13" x 30" Post-War size carried through until the 1980's, but also varied in size from 13"-14" x 29.75"-30.25".
- Post-80's Daybill (33cm x 66cm, or 13" x 26"), over a few years in the late 80's, the size changed again to a metric 33cm x 66cm, although these have also varied from 32-33cm x 64.5-66cm. New sizes from the late 80's were created, sometimes called a Mini Daybill or Mini Poster, in 9" x 12", 11" x 17" and 13" x 20".
In the UK, the somewhat unique 'Quad' poster, measuring 30" x 40", became popular, offering a larger landscape format that allowed for more elaborate designs.
In Japan, movie poster sizes were smaller, such as the "B2" (20" x 28"), which suited the more compact living environment of larger cities, smaller advertising spaces, and unique aesthetic sensibilities.
The 1970s and 1980s, witnessed the rise of the "six-sheet" (81" x 81") format, reflecting a trend towards larger and more visually impactful advertising.
Overall, the variation in movie poster sizes across different countries and decades highlights the interplay between technological printing advancements, paper resource availability, paper sheet size changes, cultural preferences, and the evolving nature of movie marketing.
At Movie Posters Australia we tag each poster we sell with a 'size' and 'condition' description at the very top of the page for our customers to easily see. There may however be some slight variations to sizes by up one inch due to variations in production and guillotine methods by printers over the decades.