THE CLOCK (1945) Movie Poster, Original Vintage Herald, Judy Garland
Size Herald (5"x7", 6"x9")
THE CLOCK (1945) Movie Poster Original Vintage Herald, measures 9 x 12 inches and opens up to 9 x 23.5 inches, RARE, Starring Judy Garland, Robert Walker, Directed by Vincente Minnelli, is...
THE CLOCK (1945) Movie Poster Original Vintage Herald, measures 9 x 12 inches and opens up to 9 x 23.5 inches, RARE, Starring Judy Garland, Robert Walker, Directed by Vincente Minnelli, is in Very Fine+ condition.
Movie Poster and Condition.
Condition: This original, vintage, unrestored double sided Herald which measures 9 x 12 inches and opens up to 9 x 23.5 inches presents as Very Fine+ condition, with only some minor handling wear which is common for the age of the herald. This beautiful and highly collectible original vintage movie herald is a rare surviving example of wartime-era cinema advertising, offering both historical charm and strong visual appeal. As a double-sided theatrical herald, it was originally distributed to promote screenings, making it far less common than standard posters. The minor handling wear is typical for pieces of this vintage and does not detract from its overall presentation or desirability. The design reflects the elegance and romantic tone of the film, and while the poster artist is uncredited, it captures the soft, emotive style associated with 1940s Hollywood romance films.
Movie Synopsis
The Clock (1945) is a heartfelt romantic drama directed by Vincente Minnelli in his directorial debut, marking a significant departure from the musical roles that had made Judy Garland a household name. In this touching and intimate story, Garland delivers a nuanced and deeply emotional performance alongside Robert Walker, creating one of the most memorable on-screen pairings of the era.
Set during World War II, the film follows soldier Joe Allen (Robert Walker), who is on a brief 48-hour leave in New York City before being deployed overseas. By chance, he meets Alice Mayberry (Judy Garland), a working woman navigating life in the bustling city. Their initial encounter quickly blossoms into a tender and sincere romance as they spend the limited time together exploring the city, sharing experiences, and forming a profound emotional connection.
Unlike many wartime films of its time, The Clock focuses less on the battlefield and more on the personal impact of war, highlighting the fleeting nature of time and relationships during periods of uncertainty. The narrative unfolds over just two days, emphasising the intensity and authenticity of the characters’ bond. Through quiet moments and everyday interactions, the film captures a sense of realism and emotional depth that resonated strongly with audiences of the time.
The production is notable for its innovative use of location-inspired set design, with MGM recreating large sections of New York City on soundstages to achieve a convincing sense of place. Vincente Minnelli’s direction brings a poetic visual style to the film, blending realism with subtle romanticism. Judy Garland’s performance was widely praised for its maturity and restraint, showcasing her dramatic capabilities beyond musical roles.
Over the years, The Clock (1945) has come to be regarded as a classic wartime romance, admired for its sincerity, performances, and understated storytelling. It stands as a testament to the enduring power of love and human connection in uncertain times.
For collectors, this original vintage herald represents a rare and meaningful piece of cinema history, capturing the spirit of a beloved film and the golden age of Hollywood. Its excellent condition and authentic origins make it a prized addition to any movie memorabilia collection.
To find out more about The Clock (1945) click here to go to IMDB.com.
Special Notes.
Images may have a small 'MPA' digital watermark and this does not appear on the poster. Posters are being held by magnets in the corners to take photographs, so you may see some magnet and shadows from the magnets in these areas. The magnets are not included in the sale of the item.
Postage, Insurance & Your Country Taxes
Postage costs are quoted for this item, include insurance up to AUD$100, but if you reside outside of Australia, the price does not include any import taxes/fees that you may be required to pay when the item reaches your borders. Please check with your local authorities for any additional taxes or fees. If you would like full insurance coverage for your purchase, please message me and I would be happy to quote the additional cost (estimate is AUD$2.50 p/AUD$100 or 2.5% of the item value, up to a maximum item value of AUD$5,000).
FAQ
At Movie Posters Australia, the love and conservation of movie posters comes first, and we like to share this passion. Our commitment to quality means we will provide high quality memorabilia to our customers. Posters are carefully chosen and authenticated to ensure originality and value. We want our customers to trust MPA, so we always try to be as open and transparent as we can, provide detailed condition information and images, to ensure customers are comfortable and confident in their purchase.
While the industry does have a few condition rating standards, there is no movie poster condition rating system that has become the accepted standard world wide. This unfortunately makes condition terms vary from movie poster dealer to movie poster dealer. Terms like Mint, Near Mint, Very Fine, Fine, Very Good, Good, Fair, Poor, seem to be universal to most condition rating standards, but most standards still lack definition about what and how many flaws/defects/damage defines a specific condition level. For more information on how Movie Posters Australia grades the condition of its movie posters, daybills, lobby cards and other ephemera please see out Movie Poster Condition and Grading page.
In the early days of cinema, posters were primarily hand-drawn and printed in various sizes, often tailored to fit the available space in theaters or promotional areas. In the United States, the "One Sheet" size (some times called '1 Sheet' or '1SH' approximately 27" x 41", became the standard during the 1930s. This size was manageable for theater display and suited the needs of a growing film industry.
Different countries developed their own poster sizes and styles, which also changed sometimes over the decades, and were influenced by local preferences and practical considerations, like available paper sheet sizes and how many posters could be printed on one sheet.
In Australia, the most popular size, the Daybill, has evolved over the decades. Australian Daybills sizes in chronological order are:
- Long Daybills (15" x 40"), from 1920's to pre-WW2 or pre-1941, were printed two to a sheet, longer than current Daybill versions. There were size variances in width from 14.5" to 15" and in height from 39.5" to 40".
- War Time Daybill (10" x 30"), during WW2, for a short time to conserve paper during a war time shortage, four Daybills were printed on one sheet. Information from Press Sheets also referred to these War-Time sizes as "New Size Daybills".
- Post-War Daybill (13" x 30"), this 13" x 30" Post-War size carried through until the 1980's, but also varied in size from 13"-14" x 29.75"-30.25".
- Post-80's Daybill (33cm x 66cm, or 13" x 26"), over a few years in the late 80's, the size changed again to a metric 33cm x 66cm, although these have also varied from 32-33cm x 64.5-66cm. New sizes from the late 80's were created, sometimes called a Mini Daybill or Mini Poster, in 9" x 12", 11" x 17" and 13" x 20".
In the UK, the somewhat unique 'Quad' poster, measuring 30" x 40", became popular, offering a larger landscape format that allowed for more elaborate designs.
In Japan, movie poster sizes were smaller, such as the "B2" (20" x 28"), which suited the more compact living environment of larger cities, smaller advertising spaces, and unique aesthetic sensibilities.
The 1970s and 1980s, witnessed the rise of the "six-sheet" (81" x 81") format, reflecting a trend towards larger and more visually impactful advertising.
Overall, the variation in movie poster sizes across different countries and decades highlights the interplay between technological printing advancements, paper resource availability, paper sheet size changes, cultural preferences, and the evolving nature of movie marketing.
At Movie Posters Australia we tag each poster we sell with a 'size' and 'condition' description at the very top of the page for our customers to easily see. There may however be some slight variations to sizes by up one inch due to variations in production and guillotine methods by printers over the decades.