SPIDERMAN (2002) Movie Poster ‘Twin Towers’, Spanish Teaser 1 Sheet, RECALLED
Size Custom Size (see Description)
SPIDERMAN (2002) Movie Poster, Spanish Teaser/Advance RECALLED, One Sheet, ‘Twin Towers’ POSTER, Starring Tobey Maguire, Willem Dafoe, Kirsten Dunst, Directed by Sam Raimi is in Very Fine+ Condition Movie Poster and...
SPIDERMAN (2002) Movie Poster, Spanish Teaser/Advance RECALLED, One Sheet, ‘Twin Towers’ POSTER, Starring Tobey Maguire, Willem Dafoe, Kirsten Dunst, Directed by Sam Raimi is in Very Fine+ Condition
Movie Poster and Condition.
Condition: This Spanish Teaser One Sheet Movie Poster was recalled due to 9/11, as you look closely at Spiderman's eye lense you will see the twin towers reflected in it. This poster is in Very Fine+ Condition, Rolled as issued, Unused, minor handling and edge wear.
Movie Synopsis
Spider-Man (2002) is the blockbuster superhero film that brought Marvel's famous web-slinger to the big screen in spectacular fashion. Directed by Sam Raimi, the film stars Tobey Maguire as Peter Parker, alongside Willem Dafoe, Kirsten Dunst and James Franco. Combining action, romance, drama and groundbreaking visual effects, Spider-Man became one of the defining comic-book films of the early twenty-first century and helped establish the modern era of the superhero blockbuster.
The story follows Peter Parker, a quiet and intelligent high-school student living in New York City with his beloved Aunt May and Uncle Ben. Peter is shy, academically gifted and secretly attracted to his neighbour and longtime friend, Mary Jane Watson, played by Kirsten Dunst. His life changes forever during a school science trip when he is bitten by a genetically altered spider.
At first, Peter struggles to understand the extraordinary changes taking place within him. He soon discovers that he possesses remarkable strength, speed, agility and the ability to cling to walls. Peter also develops the ability to produce webbing, giving him the extraordinary powers that will eventually make him one of the world's most recognisable superheroes.
Initially, Peter sees his new abilities as an opportunity for personal success. However, a tragic event involving his Uncle Ben teaches him one of the most important lessons of his life: with great power comes great responsibility. Motivated by this lesson, Peter decides to use his abilities to protect innocent people and becomes the masked crime fighter known as Spider-Man.
While Peter learns to balance his secret identity with his personal life, a new and dangerous threat emerges. Wealthy industrialist Norman Osborn, portrayed by Willem Dafoe, becomes involved in a dangerous scientific experiment that transforms his personality and unleashes his violent alter ego, the Green Goblin. Armed with advanced weapons and driven by ambition and madness, the Green Goblin quickly becomes Spider-Man's most dangerous enemy.
The conflict becomes increasingly personal as Peter's best friend, Harry Osborn, played by James Franco, is Norman's son and remains unaware of Spider-Man's true identity. Peter must also manage his growing feelings for Mary Jane while protecting her from the dangers created by his life as a superhero.
Sam Raimi's Spider-Man was notable for successfully combining the colourful energy of comic books with genuine emotional storytelling. Tobey Maguire's performance presented Peter Parker as an ordinary young man facing extraordinary circumstances, while Willem Dafoe delivered a memorable and theatrical performance as the Green Goblin.
The production made extensive use of visual effects to bring Spider-Man's web-swinging adventures to life across the New York skyline. These sequences were among the most ambitious superhero visual effects of their time and helped demonstrate the enormous cinematic potential of comic-book characters.
Released in 2002, Spider-Man became a massive international success and was one of the highest-grossing films of its year. Its popularity helped demonstrate that superhero films could combine spectacular action with strong character development and broad mainstream appeal. The film's success also led to the creation of two sequels and established Tobey Maguire's Spider-Man as one of the most iconic portrayals of a comic-book character.
The early promotional campaign for the film produced several memorable pieces of advertising artwork. This Spanish Advance Teaser One Sheet, featuring Spider-Man's distinctive eye lens imagery, represents an especially interesting example from the film's original release campaign. Recalled teaser posters connected with the original artwork are particularly sought after by collectors because they represent a unique moment in movie advertising history.
Today, Spider-Man (2002) remains an important milestone in the history of superhero cinema. This original Spanish teaser movie poster is a fantastic collectable for fans of Marvel, Tobey Maguire, Sam Raimi and classic superhero films, as well as collectors seeking distinctive and historically interesting examples of original movie advertising.
To find out more about Spider-Man (2002) click here to go to IMDB.com.
Special Notes.
Images may have a small 'MPA' digital watermark and this does not appear on the poster. Posters are being held by magnets in the corners to take photographs, so you may see some magnet and shadows from the magnets in these areas. The magnets are not included in the sale of the item.
Postage, Insurance & Your Country Taxes
Postage costs are quoted for this item, include insurance up to AUD$100, but if you reside outside of Australia, the price does not include any import taxes/fees that you may be required to pay when the item reaches your borders. Please check with your local authorities for any additional taxes or fees. If you would like full insurance coverage for your purchase, please message me and I would be happy to quote the additional cost (estimate is AUD$2.50 p/AUD$100 or 2.5% of the item value, up to a maximum item value of AUD$5,000).
FAQ
At Movie Posters Australia, the love and conservation of movie posters comes first, and we like to share this passion. Our commitment to quality means we will provide high quality memorabilia to our customers. Posters are carefully chosen and authenticated to ensure originality and value. We want our customers to trust MPA, so we always try to be as open and transparent as we can, provide detailed condition information and images, to ensure customers are comfortable and confident in their purchase.
While the industry does have a few condition rating standards, there is no movie poster condition rating system that has become the accepted standard world wide. This unfortunately makes condition terms vary from movie poster dealer to movie poster dealer. Terms like Mint, Near Mint, Very Fine, Fine, Very Good, Good, Fair, Poor, seem to be universal to most condition rating standards, but most standards still lack definition about what and how many flaws/defects/damage defines a specific condition level. For more information on how Movie Posters Australia grades the condition of its movie posters, daybills, lobby cards and other ephemera please see out Movie Poster Condition and Grading page.
In the early days of cinema, posters were primarily hand-drawn and printed in various sizes, often tailored to fit the available space in theaters or promotional areas. In the United States, the "One Sheet" size (some times called '1 Sheet' or '1SH' approximately 27" x 41", became the standard during the 1930s. This size was manageable for theater display and suited the needs of a growing film industry.
Different countries developed their own poster sizes and styles, which also changed sometimes over the decades, and were influenced by local preferences and practical considerations, like available paper sheet sizes and how many posters could be printed on one sheet.
In Australia, the most popular size, the Daybill, has evolved over the decades. Australian Daybills sizes in chronological order are:
- Long Daybills (15" x 40"), from 1920's to pre-WW2 or pre-1941, were printed two to a sheet, longer than current Daybill versions. There were size variances in width from 14.5" to 15" and in height from 39.5" to 40".
- War Time Daybill (10" x 30"), during WW2, for a short time to conserve paper during a war time shortage, four Daybills were printed on one sheet. Information from Press Sheets also referred to these War-Time sizes as "New Size Daybills".
- Post-War Daybill (13" x 30"), this 13" x 30" Post-War size carried through until the 1980's, but also varied in size from 13"-14" x 29.75"-30.25".
- Post-80's Daybill (33cm x 66cm, or 13" x 26"), over a few years in the late 80's, the size changed again to a metric 33cm x 66cm, although these have also varied from 32-33cm x 64.5-66cm. New sizes from the late 80's were created, sometimes called a Mini Daybill or Mini Poster, in 9" x 12", 11" x 17" and 13" x 20".
In the UK, the somewhat unique 'Quad' poster, measuring 30" x 40", became popular, offering a larger landscape format that allowed for more elaborate designs.
In Japan, movie poster sizes were smaller, such as the "B2" (20" x 28"), which suited the more compact living environment of larger cities, smaller advertising spaces, and unique aesthetic sensibilities.
The 1970s and 1980s, witnessed the rise of the "six-sheet" (81" x 81") format, reflecting a trend towards larger and more visually impactful advertising.
Overall, the variation in movie poster sizes across different countries and decades highlights the interplay between technological printing advancements, paper resource availability, paper sheet size changes, cultural preferences, and the evolving nature of movie marketing.
At Movie Posters Australia we tag each poster we sell with a 'size' and 'condition' description at the very top of the page for our customers to easily see. There may however be some slight variations to sizes by up one inch due to variations in production and guillotine methods by printers over the decades.