RIOT IN JUVENILE PRISON (1959) Movie Poster, Vintage Original Daybill
Size AU Daybill Post-War (13" x 30")
RIOT IN JUVENILE PRISON (1959) Movie Poster, Vintage Original Daybill starring Jerome Thor, Scott Marlowe, directed by Edward L. Cahn is in Very Fine+ condition. Movie Poster and Condition. Condition:...
RIOT IN JUVENILE PRISON (1959) Movie Poster, Vintage Original Daybill starring Jerome Thor, Scott Marlowe, directed by Edward L. Cahn is in Very Fine+ condition.
Movie Poster and Condition.
Condition: This original, vintage, unrestored Daybill Movie Poster presents as Very Fine+ condition, with 2 Daybill folds and 1 very small foxing mark on the left hand side and some minor handling wear but otherwise in excellent condition with vibrant colours. This authentic Australian Daybill represents a highly collectible piece of 1950s cinema history, prized for its striking visual appeal and rarity. Printed for local theatrical distribution, Daybill posters are uniquely Australian and are sought after by collectors worldwide. The design reflects the bold, dramatic style typical of exploitation and crime films of the era, capturing the intensity and rebellious tone of the film.
Movie Synopsis
Riot in Juvenile Prison (1959) is a gripping American crime drama that delves into the volatile world of youth incarceration during the late 1950s. Directed by Edward L. Cahn, a prolific filmmaker known for his work in low-budget genre films, the movie explores themes of rebellion, authority, and reform within a correctional facility for troubled teenagers.
The story centres on a group of young inmates confined within a strict juvenile detention centre, where tensions simmer beneath the surface. Among them is Eddie (played by Scott Marlowe), a defiant and emotionally conflicted youth struggling to navigate the harsh realities of institutional life. The facility is overseen by a stern but ultimately well-meaning superintendent, portrayed by Jerome Thor, who believes in discipline but also recognises the importance of rehabilitation.
As the narrative unfolds, the fragile balance of control begins to crumble. Harsh conditions, clashes between inmates, and questionable disciplinary methods ignite unrest among the detainees. The situation escalates dramatically into a full-scale prison riot, highlighting the desperation and frustration of the young offenders. The film offers a raw portrayal of institutional life, reflecting broader societal concerns of the time regarding juvenile delinquency and reform systems.
Supporting performances from actors such as Rita Lynn and Helen Hovey add emotional depth, particularly in scenes that explore the personal backgrounds and vulnerabilities of the inmates. The screenplay combines elements of melodrama and social commentary, making it both entertaining and thought-provoking.
Produced during an era when Hollywood frequently tackled issues of youth rebellion, the film aligns with other contemporaneous works that examined the challenges facing post-war American society. Interestingly, Edward L. Cahn was known for completing films on tight schedules and budgets, yet he consistently delivered compelling narratives that resonated with audiences.
Today, Riot in Juvenile Prison stands as a fascinating snapshot of 1950s filmmaking, offering insight into both cinematic trends and cultural attitudes of the time. This original Daybill poster is not only a piece of film memorabilia but also a tangible connection to an era defined by its exploration of youth, authority, and rebellion.
To find out more about Riot in Juvenile Prison (1959) click here to go to IMDB.com.
Special Notes.
Images may have a small 'MPA' digital watermark and this does not appear on the poster. Posters are being held by magnets in the corners to take photographs, so you may see some magnet and shadows from the magnets in these areas. The magnets are not included in the sale of the item.
Postage, Insurance & Your Country Taxes
Postage costs are quoted for this item, include insurance up to AUD$100, but if you reside outside of Australia, the price does not include any import taxes/fees that you may be required to pay when the item reaches your borders. Please check with your local authorities for any additional taxes or fees. If you would like full insurance coverage for your purchase, please message me and I would be happy to quote the additional cost (estimate is AUD$2.50 p/AUD$100 or 2.5% of the item value, up to a maximum item value of AUD$5,000).
FAQ
At Movie Posters Australia, the love and conservation of movie posters comes first, and we like to share this passion. Our commitment to quality means we will provide high quality memorabilia to our customers. Posters are carefully chosen and authenticated to ensure originality and value. We want our customers to trust MPA, so we always try to be as open and transparent as we can, provide detailed condition information and images, to ensure customers are comfortable and confident in their purchase.
While the industry does have a few condition rating standards, there is no movie poster condition rating system that has become the accepted standard world wide. This unfortunately makes condition terms vary from movie poster dealer to movie poster dealer. Terms like Mint, Near Mint, Very Fine, Fine, Very Good, Good, Fair, Poor, seem to be universal to most condition rating standards, but most standards still lack definition about what and how many flaws/defects/damage defines a specific condition level. For more information on how Movie Posters Australia grades the condition of its movie posters, daybills, lobby cards and other ephemera please see out Movie Poster Condition and Grading page.
In the early days of cinema, posters were primarily hand-drawn and printed in various sizes, often tailored to fit the available space in theaters or promotional areas. In the United States, the "One Sheet" size (some times called '1 Sheet' or '1SH' approximately 27" x 41", became the standard during the 1930s. This size was manageable for theater display and suited the needs of a growing film industry.
Different countries developed their own poster sizes and styles, which also changed sometimes over the decades, and were influenced by local preferences and practical considerations, like available paper sheet sizes and how many posters could be printed on one sheet.
In Australia, the most popular size, the Daybill, has evolved over the decades. Australian Daybills sizes in chronological order are:
- Long Daybills (15" x 40"), from 1920's to pre-WW2 or pre-1941, were printed two to a sheet, longer than current Daybill versions. There were size variances in width from 14.5" to 15" and in height from 39.5" to 40".
- War Time Daybill (10" x 30"), during WW2, for a short time to conserve paper during a war time shortage, four Daybills were printed on one sheet. Information from Press Sheets also referred to these War-Time sizes as "New Size Daybills".
- Post-War Daybill (13" x 30"), this 13" x 30" Post-War size carried through until the 1980's, but also varied in size from 13"-14" x 29.75"-30.25".
- Post-80's Daybill (33cm x 66cm, or 13" x 26"), over a few years in the late 80's, the size changed again to a metric 33cm x 66cm, although these have also varied from 32-33cm x 64.5-66cm. New sizes from the late 80's were created, sometimes called a Mini Daybill or Mini Poster, in 9" x 12", 11" x 17" and 13" x 20".
In the UK, the somewhat unique 'Quad' poster, measuring 30" x 40", became popular, offering a larger landscape format that allowed for more elaborate designs.
In Japan, movie poster sizes were smaller, such as the "B2" (20" x 28"), which suited the more compact living environment of larger cities, smaller advertising spaces, and unique aesthetic sensibilities.
The 1970s and 1980s, witnessed the rise of the "six-sheet" (81" x 81") format, reflecting a trend towards larger and more visually impactful advertising.
Overall, the variation in movie poster sizes across different countries and decades highlights the interplay between technological printing advancements, paper resource availability, paper sheet size changes, cultural preferences, and the evolving nature of movie marketing.
At Movie Posters Australia we tag each poster we sell with a 'size' and 'condition' description at the very top of the page for our customers to easily see. There may however be some slight variations to sizes by up one inch due to variations in production and guillotine methods by printers over the decades.