GHOSTBUSTERS: FROZEN EMPIRE (2024) Movie Poster, Advance One Sheet
Size AU One Sheet (27" x 40")
GHOSTBUSTERS: FROZEN EMPIRE (2024) Movie Poster, Advance Double Sided (GHOST) One Sheet starring Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace and directed by Gil Kenan is in Very Fine+ Condition....
GHOSTBUSTERS: FROZEN EMPIRE (2024) Movie Poster, Advance Double Sided (GHOST) One Sheet starring Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace and directed by Gil Kenan is in Very Fine+ Condition.
Movie Poster and Condition.
Condition: This double sided GHOST poster is presented in Very Fine+ condition, rolled as issued, some minor edgewear and handling wear but otherwise in excellent condition. This original Advance Double Sided One Sheet movie poster was produced exclusively for theatrical promotion and was never intended for retail sale. Double sided posters are highly desirable among collectors as they are designed for use in cinema light boxes, allowing the artwork to display with exceptional depth and colour when backlit. Featuring striking promotional artwork for the latest chapter in the legendary Ghostbusters franchise, this original cinema poster is an outstanding collectible for fans of supernatural comedy, modern blockbuster films and authentic theatrical memorabilia.
Movie Synopsis
Ghostbusters: Frozen Empire (2024) continues the iconic supernatural adventure that began over four decades ago, bringing together the beloved original Ghostbusters with the new generation introduced in Ghostbusters: Afterlife. Directed by Gil Kenan from a screenplay by Gil Kenan and Jason Reitman, the film successfully blends nostalgia, comedy, action and supernatural thrills while returning the franchise to its spiritual home of New York City.
Following the events of Ghostbusters: Afterlife, the Spengler family relocates from Summerville, Oklahoma, to the original Ghostbusters firehouse in Manhattan. Callie Spengler (Carrie Coon), her children Trevor (Finn Wolfhard) and Phoebe (Mckenna Grace), along with Gary Grooberson (Paul Rudd), continue the family legacy by protecting New York from paranormal threats. Under the guidance of veteran Ghostbusters Winston Zeddemore (Ernie Hudson), Ray Stantz (Dan Aykroyd) and Peter Venkman (Bill Murray), the new team embraces both classic ghost-hunting techniques and cutting-edge technology.
The story takes a chilling turn when an ancient supernatural artefact unleashes a terrifying force known as Garraka, an immensely powerful entity capable of freezing entire cities with an unnatural ice age. As temperatures plummet across New York, ghosts begin appearing in unprecedented numbers and the Ghostbusters find themselves confronting a threat unlike anything they have previously encountered. With civilisation itself at risk, both generations of Ghostbusters must combine their knowledge, courage and ingenuity to prevent humanity from being plunged into an endless frozen darkness.
One of the film's greatest strengths is its balance between legacy characters and the franchise's new heroes. Mckenna Grace delivers another standout performance as Phoebe Spengler, whose scientific brilliance and emotional growth continue to drive much of the story. Paul Rudd brings his trademark humour and charisma, while Carrie Coon and Finn Wolfhard further develop the close-knit Spengler family dynamic. The return of Dan Aykroyd, Bill Murray, Ernie Hudson and Annie Potts provides longtime fans with plenty of nostalgic moments without overshadowing the newer cast members.
Ghostbusters: Frozen Empire expands the mythology established in earlier films by exploring previously unseen paranormal lore, ancient ghost-hunting history and mysterious supernatural artefacts. The movie features an impressive range of new ghosts, imaginative creature designs and spectacular visual effects while retaining the practical effects, ghost traps, proton packs and Ecto-1 vehicle that have become instantly recognisable symbols of the franchise.
Interesting production facts include extensive filming throughout New York City, allowing the film to recapture the atmosphere of the original 1984 classic. The production also combined practical creature effects with state-of-the-art CGI to create a seamless blend of classic filmmaking techniques and modern visual effects. Director Gil Kenan worked closely with Jason Reitman to honour the legacy established by Ivan Reitman while introducing fresh ideas and expanding the Ghostbusters universe for a new generation of audiences.
This Advance Double Sided One Sheet movie poster represents the first wave of theatrical marketing released ahead of the film's cinema debut. Advance posters are often produced in smaller quantities than regular theatrical posters, making them particularly desirable among collectors. Featuring striking icy blue artwork that perfectly captures the film's frozen supernatural theme, this authentic original Ghostbusters movie poster is an outstanding addition to any collection of movie posters, supernatural cinema memorabilia or Marvelous 1980s and modern franchise collectibles.
To find out more about GHOSTBUSTERS: FROZEN EMPIRE (2024) click here to go to IMDB.com.
Special Notes.
Images may have a small 'MPA' digital watermark and this does not appear on the poster. Posters are being held by magnets in the corners to take photographs, so you may see some magnet and shadows from the magnets in these areas. The magnets are not included in the sale of the item.
Postage, Insurance & Your Country Taxes
Postage costs are quoted for this item, include insurance up to AUD$100, but if you reside outside of Australia, the price does not include any import taxes/fees that you may be required to pay when the item reaches your borders. Please check with your local authorities for any additional taxes or fees. If you would like full insurance coverage for your purchase, please message me and I would be happy to quote the additional cost (estimate is AUD$2.50 p/AUD$100 or 2.5% of the item value, up to a maximum item value of AUD$5,000).
FAQ
At Movie Posters Australia, the love and conservation of movie posters comes first, and we like to share this passion. Our commitment to quality means we will provide high quality memorabilia to our customers. Posters are carefully chosen and authenticated to ensure originality and value. We want our customers to trust MPA, so we always try to be as open and transparent as we can, provide detailed condition information and images, to ensure customers are comfortable and confident in their purchase.
While the industry does have a few condition rating standards, there is no movie poster condition rating system that has become the accepted standard world wide. This unfortunately makes condition terms vary from movie poster dealer to movie poster dealer. Terms like Mint, Near Mint, Very Fine, Fine, Very Good, Good, Fair, Poor, seem to be universal to most condition rating standards, but most standards still lack definition about what and how many flaws/defects/damage defines a specific condition level. For more information on how Movie Posters Australia grades the condition of its movie posters, daybills, lobby cards and other ephemera please see out Movie Poster Condition and Grading page.
In the early days of cinema, posters were primarily hand-drawn and printed in various sizes, often tailored to fit the available space in theaters or promotional areas. In the United States, the "One Sheet" size (some times called '1 Sheet' or '1SH' approximately 27" x 41", became the standard during the 1930s. This size was manageable for theater display and suited the needs of a growing film industry.
Different countries developed their own poster sizes and styles, which also changed sometimes over the decades, and were influenced by local preferences and practical considerations, like available paper sheet sizes and how many posters could be printed on one sheet.
In Australia, the most popular size, the Daybill, has evolved over the decades. Australian Daybills sizes in chronological order are:
- Long Daybills (15" x 40"), from 1920's to pre-WW2 or pre-1941, were printed two to a sheet, longer than current Daybill versions. There were size variances in width from 14.5" to 15" and in height from 39.5" to 40".
- War Time Daybill (10" x 30"), during WW2, for a short time to conserve paper during a war time shortage, four Daybills were printed on one sheet. Information from Press Sheets also referred to these War-Time sizes as "New Size Daybills".
- Post-War Daybill (13" x 30"), this 13" x 30" Post-War size carried through until the 1980's, but also varied in size from 13"-14" x 29.75"-30.25".
- Post-80's Daybill (33cm x 66cm, or 13" x 26"), over a few years in the late 80's, the size changed again to a metric 33cm x 66cm, although these have also varied from 32-33cm x 64.5-66cm. New sizes from the late 80's were created, sometimes called a Mini Daybill or Mini Poster, in 9" x 12", 11" x 17" and 13" x 20".
In the UK, the somewhat unique 'Quad' poster, measuring 30" x 40", became popular, offering a larger landscape format that allowed for more elaborate designs.
In Japan, movie poster sizes were smaller, such as the "B2" (20" x 28"), which suited the more compact living environment of larger cities, smaller advertising spaces, and unique aesthetic sensibilities.
The 1970s and 1980s, witnessed the rise of the "six-sheet" (81" x 81") format, reflecting a trend towards larger and more visually impactful advertising.
Overall, the variation in movie poster sizes across different countries and decades highlights the interplay between technological printing advancements, paper resource availability, paper sheet size changes, cultural preferences, and the evolving nature of movie marketing.
At Movie Posters Australia we tag each poster we sell with a 'size' and 'condition' description at the very top of the page for our customers to easily see. There may however be some slight variations to sizes by up one inch due to variations in production and guillotine methods by printers over the decades.