BEETLEJUICE BEETLEJUICE (2024) Original Movie Poster, Adv Aust One Sheet
Size AU One Sheet (27" x 40")
BEETLEJUICE BEETLEJUICE (2024) Movie Poster, Double Sided, Advance Australian One Sheet, Starring Michael Keaton, Winona Ryder, Jenna Ortega, Catherine O'Hara, Willem Dafoe, Monica Bellucci, Justin Theroux, Directed by Tim Burton is...
BEETLEJUICE BEETLEJUICE (2024) Movie Poster, Double Sided, Advance Australian One Sheet, Starring Michael Keaton, Winona Ryder, Jenna Ortega, Catherine O'Hara, Willem Dafoe, Monica Bellucci, Justin Theroux, Directed by Tim Burton is in Very Fine Condition.
Movie Poster and Condition.
Condition: This double sided poster is presented in Very Fine condition, rolled as issued, some very minor edgewear and a small .5cm tear at the top of the poster (hardly noticable) but otherwise in excellent condition. This authentic Advance Australian One Sheet movie poster was produced to promote the long-awaited sequel to one of Tim Burton's most beloved fantasy comedies. Printed in a double-sided format for cinema lightbox display, this original theatrical poster features the striking advance artwork that generated enormous anticipation ahead of the film's release. As an authentic cinema-issued collectible, it represents a wonderful opportunity for collectors of Tim Burton films, horror-comedy memorabilia, and original movie posters.
Movie Synopsis
Beetlejuice Beetlejuice (2024) marks the highly anticipated return to the delightfully bizarre supernatural world first introduced in the 1988 cult classic. Directed once again by Tim Burton, the film reunites audiences with the eccentric Deetz family while introducing a new generation of characters into the chaotic afterlife inhabited by everyone's favourite "bio-exorcist", Beetlejuice.
Following an unexpected family tragedy, Lydia Deetz (Winona Ryder) returns to her childhood home in Winter River alongside her stepmother Delia (Catherine O'Hara) and her rebellious teenage daughter Astrid (Jenna Ortega). Although Lydia has spent years attempting to move beyond the paranormal experiences that shaped her youth, strange supernatural events soon begin to unfold once again. When Astrid accidentally discovers the mysterious portal leading to the afterlife, long-buried secrets and ghostly encounters threaten both worlds.
Before long, Beetlejuice, once again portrayed by the incomparable Michael Keaton, finds an opportunity to escape the confines of the Netherworld after his name is spoken three times. As always, his unpredictable antics, dark humour and outrageous schemes create absolute chaos for both the living and the dead. The sequel successfully balances nostalgic callbacks with fresh storylines, introducing colourful new supernatural characters while expanding the imaginative mythology of Burton's original universe.
The impressive ensemble cast includes Jenna Ortega, whose performance perfectly complements the gothic tone established by Burton, alongside Willem Dafoe as a supernatural detective, Monica Bellucci in a mysterious new role connected to Beetlejuice's past, and Justin Theroux. Returning favourites Winona Ryder, Catherine O'Hara and Michael Keaton effortlessly recapture the chemistry that made the original film so memorable, while the younger cast introduces fresh energy for new audiences.
The screenplay was written by Alfred Gough and Miles Millar, based upon characters originally created by Michael McDowell and Larry Wilson. Burton's distinctive visual style remains central to the production, blending elaborate practical effects, handcrafted sets, gothic production design and imaginative creature work with carefully integrated modern visual effects. The result preserves the quirky charm of the original while embracing contemporary filmmaking techniques.
One particularly interesting aspect of the production was Burton's deliberate emphasis on practical effects over excessive CGI whenever possible, helping maintain the handcrafted aesthetic that defined the 1988 classic. Michael Keaton also returned to the iconic role with minimal cosmetic enhancement, relying primarily on traditional makeup and costume design to recreate Beetlejuice's unforgettable appearance. This commitment to authenticity delighted long-time fans and reinforced the sequel's connection to its predecessor.
For collectors, Beetlejuice Beetlejuice (2024) represents the return of one of cinema's most distinctive fantasy franchises. Original theatrical posters, particularly Advance Australian One Sheet editions, are highly sought after due to their limited cinema distribution and eye-catching teaser artwork. Combining Tim Burton's unmistakable visual style with one of his most enduring creations, this genuine cinema poster is an outstanding addition to any collection of original movie posters, horror-comedy memorabilia or Burton film collectibles.
To find out more about Beetlejuice Beetlejuice (2024) click here to go to IMDB.com.
Special Notes.
Images may have a small 'MPA' digital watermark and this does not appear on the poster. Posters are being held by magnets in the corners to take photographs, so you may see some magnet and shadows from the magnets in these areas. The magnets are not included in the sale of the item.
Postage, Insurance & Your Country Taxes
Postage costs are quoted for this item, include insurance up to AUD$100, but if you reside outside of Australia, the price does not include any import taxes/fees that you may be required to pay when the item reaches your borders. Please check with your local authorities for any additional taxes or fees. If you would like full insurance coverage for your purchase, please message me and I would be happy to quote the additional cost (estimate is AUD$2.50 p/AUD$100 or 2.5% of the item value, up to a maximum item value of AUD$5,000).
FAQ
At Movie Posters Australia, the love and conservation of movie posters comes first, and we like to share this passion. Our commitment to quality means we will provide high quality memorabilia to our customers. Posters are carefully chosen and authenticated to ensure originality and value. We want our customers to trust MPA, so we always try to be as open and transparent as we can, provide detailed condition information and images, to ensure customers are comfortable and confident in their purchase.
While the industry does have a few condition rating standards, there is no movie poster condition rating system that has become the accepted standard world wide. This unfortunately makes condition terms vary from movie poster dealer to movie poster dealer. Terms like Mint, Near Mint, Very Fine, Fine, Very Good, Good, Fair, Poor, seem to be universal to most condition rating standards, but most standards still lack definition about what and how many flaws/defects/damage defines a specific condition level. For more information on how Movie Posters Australia grades the condition of its movie posters, daybills, lobby cards and other ephemera please see out Movie Poster Condition and Grading page.
In the early days of cinema, posters were primarily hand-drawn and printed in various sizes, often tailored to fit the available space in theaters or promotional areas. In the United States, the "One Sheet" size (some times called '1 Sheet' or '1SH' approximately 27" x 41", became the standard during the 1930s. This size was manageable for theater display and suited the needs of a growing film industry.
Different countries developed their own poster sizes and styles, which also changed sometimes over the decades, and were influenced by local preferences and practical considerations, like available paper sheet sizes and how many posters could be printed on one sheet.
In Australia, the most popular size, the Daybill, has evolved over the decades. Australian Daybills sizes in chronological order are:
- Long Daybills (15" x 40"), from 1920's to pre-WW2 or pre-1941, were printed two to a sheet, longer than current Daybill versions. There were size variances in width from 14.5" to 15" and in height from 39.5" to 40".
- War Time Daybill (10" x 30"), during WW2, for a short time to conserve paper during a war time shortage, four Daybills were printed on one sheet. Information from Press Sheets also referred to these War-Time sizes as "New Size Daybills".
- Post-War Daybill (13" x 30"), this 13" x 30" Post-War size carried through until the 1980's, but also varied in size from 13"-14" x 29.75"-30.25".
- Post-80's Daybill (33cm x 66cm, or 13" x 26"), over a few years in the late 80's, the size changed again to a metric 33cm x 66cm, although these have also varied from 32-33cm x 64.5-66cm. New sizes from the late 80's were created, sometimes called a Mini Daybill or Mini Poster, in 9" x 12", 11" x 17" and 13" x 20".
In the UK, the somewhat unique 'Quad' poster, measuring 30" x 40", became popular, offering a larger landscape format that allowed for more elaborate designs.
In Japan, movie poster sizes were smaller, such as the "B2" (20" x 28"), which suited the more compact living environment of larger cities, smaller advertising spaces, and unique aesthetic sensibilities.
The 1970s and 1980s, witnessed the rise of the "six-sheet" (81" x 81") format, reflecting a trend towards larger and more visually impactful advertising.
Overall, the variation in movie poster sizes across different countries and decades highlights the interplay between technological printing advancements, paper resource availability, paper sheet size changes, cultural preferences, and the evolving nature of movie marketing.
At Movie Posters Australia we tag each poster we sell with a 'size' and 'condition' description at the very top of the page for our customers to easily see. There may however be some slight variations to sizes by up one inch due to variations in production and guillotine methods by printers over the decades.