BATTLE FOR THE PLANET OF THE APES (1973) Movie Poster Daybill
Size AU Daybill Post-War (13" x 30")
BATTLE FOR THE PLANET OF THE APES (1973) Movie Poster Daybill, Roddy McDowall, Directed by J. Lee Thompson Movie Poster and Condition This unique and original Australian Daybill movie poster...
BATTLE FOR THE PLANET OF THE APES (1973) Movie Poster Daybill, Roddy McDowall, Directed by J. Lee Thompson
Movie Poster and Condition
This unique and original Australian Daybill movie poster shows artwork created by Richard Tanenbaum and printed by M.A.P.S. Litho Pty. Ltd.
Condition: it has two standard fold lines as issued by the distributor, a flattened out dog ear, and a small ripple in the poster on left hand bottom corner. It is presented in Very Fine+ condition.
Movie Synopsis
Battle for the Planet of the Apes (1973) is the fifth and final instalment in the iconic Planet of the Apes franchise, a science fiction series that redefined cinematic storytelling. Directed by J. Lee Thompson and written by John William Corrington and Joyce Hooper Corrington, with a story by Paul Dehn, this film explores themes of coexistence, conflict, and the fragile hope for peace between humans and apes. Starring Roddy McDowall as the wise and compassionate chimpanzee Caesar, the movie delivers a thought-provoking conclusion to the groundbreaking saga. This original Australian Daybill movie poster, designed by Richard Tanenbaum, is a rare collectible, capturing the film’s dramatic essence and its place in sci-fi history.
Set in a post-apocalyptic world, Battle for the Planet of the Apes follows Caesar’s efforts to lead a peaceful society where apes and humans coexist after the nuclear devastation depicted in earlier films. The story unfolds years after Caesar’s revolution in Conquest of the Planet of the Apes, with apes now the dominant species. However, tensions arise as a militaristic gorilla general, Aldo (Claude Akins), challenges Caesar’s vision of harmony, while a group of human survivors, led by Kolp (Severn Darden), plots to destroy the ape society. The film weaves a narrative of hope and betrayal, culminating in a battle that will determine the future of both species.
The cast includes standout performances from Roddy McDowall, whose portrayal of Caesar is the emotional core of the franchise. Natalie Trundy plays Lisa, Caesar’s compassionate wife, while Lew Ayres appears as Mandemus, the keeper of the ape armory. The film’s human characters, including Paul Williams as the scholarly orangutan Virgil, add depth to the story’s exploration of interspecies dynamics. Directed by J. Lee Thompson, known for films like The Guns of Navarone, the movie balances action with philosophical questions about leadership, prejudice, and the cyclical nature of violence.
Produced by 20th Century Fox on a modest budget of approximately USD$1.7 million, Battle for the Planet of the Apes was filmed in Los Angeles, with locations like the Fox Ranch in Malibu standing in for the ape city. An interesting production fact is the use of practical effects and makeup by John Chambers, whose groundbreaking work on the original Planet of the Apes set a high standard for the series. The ape costumes, though less elaborate than in earlier films due to budget constraints, still conveyed remarkable expressiveness, particularly in McDowall’s performance. The film also used stock footage from previous entries to depict the apocalyptic backstory, a cost-saving measure that maintained narrative continuity.
The Australian Daybill poster, measuring approximately 13 x 30 inches, features striking artwork by Richard Tanenbaum, showcasing the film’s intense battle imagery and futuristic aesthetic. In Very Fine+ condition, this poster is a prized collectible for fans of science fiction memorabilia and the Planet of the Apes series. Its minor imperfections, such as fold lines and a small ripple, do not detract from its visual appeal or historical value. Stored and shipped with care, this movie poster is preserved in an acid free polyprop bag with acid free backing board, ensuring its longevity for collectors.
The film’s legacy lies in its attempt to tie up the franchise’s complex narrative, offering a hopeful yet ambiguous ending that sparked debate among fans. While not as critically acclaimed as the original 1968 film or its immediate sequels, Battle for the Planet of the Apes remains a fascinating study of leadership and societal evolution. Its themes resonate with modern audiences, particularly in discussions about coexistence and conflict resolution. The franchise’s influence is evident in later reboots, such as the 2011–2017 trilogy, which drew inspiration from Caesar’s revolutionary arc.
For collectors, this Battle for the Planet of the Apes Daybill is a tangible piece of cinematic history. Its bold design and connection to a landmark sci-fi series make it a standout addition to any collection of movie posters, 1970s cinema, or science fiction collectibles. The film’s exploration of timeless themes, combined with its memorable performances and iconic imagery, ensures its enduring appeal.
Special Notes
Images may have a small 'MPA' digital watermark and this does not appear on the poster. Posters are being held by magnets in the corners to take photographs, so you may see some magnet and shadows from the magnets in these areas. The magnets are not included in the sale of the item.
Postage, Insurance & Your Country Taxes
Postage costs are quoted for this item, include insurance up to AUD$100, but if you reside outside of Australia, the price does not include any import taxes/fees that you may be required to pay when the item reaches your borders. Please check with your local authorities for any additional taxes or fees. If you would like full insurance coverage for your purchase, please message me and I would be happy to quote the additional cost (estimate is AUD$2.50 p/AUD$100 or 2.5% of the item value, up to a maximum item value of AUD$5,000).
FAQ
At Movie Posters Australia, the love and conservation of movie posters comes first, and we like to share this passion. Our commitment to quality means we will provide high quality memorabilia to our customers. Posters are carefully chosen and authenticated to ensure originality and value. We want our customers to trust MPA, so we always try to be as open and transparent as we can, provide detailed condition information and images, to ensure customers are comfortable and confident in their purchase.
While the industry does have a few condition rating standards, there is no movie poster condition rating system that has become the accepted standard world wide. This unfortunately makes condition terms vary from movie poster dealer to movie poster dealer. Terms like Mint, Near Mint, Very Fine, Fine, Very Good, Good, Fair, Poor, seem to be universal to most condition rating standards, but most standards still lack definition about what and how many flaws/defects/damage defines a specific condition level. For more information on how Movie Posters Australia grades the condition of its movie posters, daybills, lobby cards and other ephemera please see out Movie Poster Condition and Grading page.
In the early days of cinema, posters were primarily hand-drawn and printed in various sizes, often tailored to fit the available space in theaters or promotional areas. In the United States, the "One Sheet" size (some times called '1 Sheet' or '1SH' approximately 27" x 41", became the standard during the 1930s. This size was manageable for theater display and suited the needs of a growing film industry.
Different countries developed their own poster sizes and styles, which also changed sometimes over the decades, and were influenced by local preferences and practical considerations, like available paper sheet sizes and how many posters could be printed on one sheet.
In Australia, the most popular size, the Daybill, has evolved over the decades. Australian Daybills sizes in chronological order are:
- Long Daybills (15" x 40"), from 1920's to pre-WW2 or pre-1941, were printed two to a sheet, longer than current Daybill versions. There were size variances in width from 14.5" to 15" and in height from 39.5" to 40".
- War Time Daybill (10" x 30"), during WW2, for a short time to conserve paper during a war time shortage, four Daybills were printed on one sheet. Information from Press Sheets also referred to these War-Time sizes as "New Size Daybills".
- Post-War Daybill (13" x 30"), this 13" x 30" Post-War size carried through until the 1980's, but also varied in size from 13"-14" x 29.75"-30.25".
- Post-80's Daybill (33cm x 66cm, or 13" x 26"), over a few years in the late 80's, the size changed again to a metric 33cm x 66cm, although these have also varied from 32-33cm x 64.5-66cm. New sizes from the late 80's were created, sometimes called a Mini Daybill or Mini Poster, in 9" x 12", 11" x 17" and 13" x 20".
In the UK, the somewhat unique 'Quad' poster, measuring 30" x 40", became popular, offering a larger landscape format that allowed for more elaborate designs.
In Japan, movie poster sizes were smaller, such as the "B2" (20" x 28"), which suited the more compact living environment of larger cities, smaller advertising spaces, and unique aesthetic sensibilities.
The 1970s and 1980s, witnessed the rise of the "six-sheet" (81" x 81") format, reflecting a trend towards larger and more visually impactful advertising.
Overall, the variation in movie poster sizes across different countries and decades highlights the interplay between technological printing advancements, paper resource availability, paper sheet size changes, cultural preferences, and the evolving nature of movie marketing.
At Movie Posters Australia we tag each poster we sell with a 'size' and 'condition' description at the very top of the page for our customers to easily see. There may however be some slight variations to sizes by up one inch due to variations in production and guillotine methods by printers over the decades.