ANT MAN AND THE WASP: QUANTUMANIA (2023) DS Movie Poster, One Sheet
Size AU One Sheet (27" x 40")
ANT MAN AND THE WASP: QUANTUMANIA (2023) Movie Poster, Double Sided, Advance Australian One Sheet, starring Paul Rudd, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Directed by Peyton Reed is in Fine+...
ANT MAN AND THE WASP: QUANTUMANIA (2023) Movie Poster, Double Sided, Advance Australian One Sheet, starring Paul Rudd, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Directed by Peyton Reed is in Fine+ Condition.
Movie Poster and Condition.
Condition: This double sided poster is presented in Fine+ condition, rolled as issued, with a 3cm tear on the bottom, edgewear specifically on the left side and slightly on the right side, some minor paper bumping with a small tear on the left top side around 1cm and some minor handling wear. This authentic original Australian release movie poster remains a highly collectible piece of modern Marvel Cinematic Universe memorabilia. Despite the noted imperfections, it displays extremely well and would make an excellent addition to any Marvel, superhero or contemporary movie poster collection. This style of theatrical one sheet was produced for cinema promotion and was never intended for retail sale, making original examples increasingly sought after by collectors.
Movie Synopsis
Ant-Man and the Wasp: Quantumania (2023) launches audiences into an extraordinary adventure unlike anything previously seen in the Marvel Cinematic Universe (MCU). Directed by Peyton Reed and written by Jeff Loveness, the film marks the beginning of Marvel's Phase Five while expanding the mythology surrounding the mysterious Quantum Realm.
Following the events of Avengers: Endgame, Scott Lang (Paul Rudd) has become a celebrated hero after helping save the universe. Enjoying life with his daughter Cassie (Kathryn Newton), Hope van Dyne (Evangeline Lilly), Hank Pym (Michael Douglas) and Janet van Dyne (Michelle Pfeiffer), the family unexpectedly finds themselves pulled into the Quantum Realm after Cassie develops a revolutionary device capable of communicating with the microscopic universe. Their scientific curiosity quickly turns into a desperate fight for survival as they become separated within an unfamiliar world filled with strange landscapes, bizarre creatures and hidden civilisations.
As the family attempts to reunite, they discover that Janet has kept dangerous secrets from her decades trapped within the Quantum Realm. Her past is intertwined with the arrival of Kang the Conqueror, portrayed by Jonathan Majors, a powerful and highly intelligent time-travelling villain whose ambitions threaten not only the Quantum Realm but countless realities throughout the multiverse. Kang seeks Scott Lang's assistance to escape imprisonment, placing Ant-Man in an impossible moral dilemma with universe-changing consequences.
The film balances its trademark blend of science fiction, humour and heartfelt family relationships while introducing audiences to a spectacular microscopic universe brought to life through cutting-edge visual effects. The Quantum Realm itself becomes one of the film's stars, featuring imaginative environments, colourful alien societies, advanced technology and unique lifeforms that greatly expand Marvel's cinematic world.
The ensemble cast delivers engaging performances throughout. Paul Rudd continues to bring warmth, humour and relatability to Scott Lang, while Evangeline Lilly further develops Hope as an intelligent and capable hero. Michelle Pfeiffer plays a central role as Janet van Dyne, revealing long-hidden mysteries about her years in the Quantum Realm. Michael Douglas reprises his role as brilliant scientist Hank Pym, while Kathryn Newton introduces a more mature version of Cassie Lang, hinting at her future within the MCU.
One of the film's most memorable elements is Jonathan Majors' portrayal of Kang the Conqueror. Designed as one of Marvel's most formidable villains, Kang combines immense technological power with complex motivations, making him a significant addition to the MCU's expanding multiverse storyline.
Interesting production facts include the extensive use of virtual production technology and enormous digital environments to create the Quantum Realm's distinctive appearance. Many practical costumes were combined with sophisticated CGI to seamlessly blend live-action performances with entirely computer-generated settings. Principal photography took place at Pinewood Studios, with the visual effects work shared among numerous leading international VFX companies, making it one of Marvel Studios' most technically ambitious productions.
As an original 2023 cinema release movie poster, this one sheet captures the spectacular artwork used to promote the latest chapter in Marvel's ongoing saga. Featuring Ant-Man, the Wasp and Kang against the vibrant backdrop of the Quantum Realm, it represents an excellent collectible for fans of Marvel movie posters, superhero cinema, Paul Rudd or anyone building a comprehensive MCU collection.
To find out more about ANT MAN AND THE WASP: QUANTUMANIA (2023) click here to go to IMDB.com.
Special Notes.
Images may have a small 'MPA' digital watermark and this does not appear on the poster. Posters are being held by magnets in the corners to take photographs, so you may see some magnet and shadows from the magnets in these areas. The magnets are not included in the sale of the item.
Postage, Insurance & Your Country Taxes
Postage costs are quoted for this item, include insurance up to AUD$100, but if you reside outside of Australia, the price does not include any import taxes/fees that you may be required to pay when the item reaches your borders. Please check with your local authorities for any additional taxes or fees. If you would like full insurance coverage for your purchase, please message me and I would be happy to quote the additional cost (estimate is AUD$2.50 p/AUD$100 or 2.5% of the item value, up to a maximum item value of AUD$5,000).
FAQ
At Movie Posters Australia, the love and conservation of movie posters comes first, and we like to share this passion. Our commitment to quality means we will provide high quality memorabilia to our customers. Posters are carefully chosen and authenticated to ensure originality and value. We want our customers to trust MPA, so we always try to be as open and transparent as we can, provide detailed condition information and images, to ensure customers are comfortable and confident in their purchase.
While the industry does have a few condition rating standards, there is no movie poster condition rating system that has become the accepted standard world wide. This unfortunately makes condition terms vary from movie poster dealer to movie poster dealer. Terms like Mint, Near Mint, Very Fine, Fine, Very Good, Good, Fair, Poor, seem to be universal to most condition rating standards, but most standards still lack definition about what and how many flaws/defects/damage defines a specific condition level. For more information on how Movie Posters Australia grades the condition of its movie posters, daybills, lobby cards and other ephemera please see out Movie Poster Condition and Grading page.
In the early days of cinema, posters were primarily hand-drawn and printed in various sizes, often tailored to fit the available space in theaters or promotional areas. In the United States, the "One Sheet" size (some times called '1 Sheet' or '1SH' approximately 27" x 41", became the standard during the 1930s. This size was manageable for theater display and suited the needs of a growing film industry.
Different countries developed their own poster sizes and styles, which also changed sometimes over the decades, and were influenced by local preferences and practical considerations, like available paper sheet sizes and how many posters could be printed on one sheet.
In Australia, the most popular size, the Daybill, has evolved over the decades. Australian Daybills sizes in chronological order are:
- Long Daybills (15" x 40"), from 1920's to pre-WW2 or pre-1941, were printed two to a sheet, longer than current Daybill versions. There were size variances in width from 14.5" to 15" and in height from 39.5" to 40".
- War Time Daybill (10" x 30"), during WW2, for a short time to conserve paper during a war time shortage, four Daybills were printed on one sheet. Information from Press Sheets also referred to these War-Time sizes as "New Size Daybills".
- Post-War Daybill (13" x 30"), this 13" x 30" Post-War size carried through until the 1980's, but also varied in size from 13"-14" x 29.75"-30.25".
- Post-80's Daybill (33cm x 66cm, or 13" x 26"), over a few years in the late 80's, the size changed again to a metric 33cm x 66cm, although these have also varied from 32-33cm x 64.5-66cm. New sizes from the late 80's were created, sometimes called a Mini Daybill or Mini Poster, in 9" x 12", 11" x 17" and 13" x 20".
In the UK, the somewhat unique 'Quad' poster, measuring 30" x 40", became popular, offering a larger landscape format that allowed for more elaborate designs.
In Japan, movie poster sizes were smaller, such as the "B2" (20" x 28"), which suited the more compact living environment of larger cities, smaller advertising spaces, and unique aesthetic sensibilities.
The 1970s and 1980s, witnessed the rise of the "six-sheet" (81" x 81") format, reflecting a trend towards larger and more visually impactful advertising.
Overall, the variation in movie poster sizes across different countries and decades highlights the interplay between technological printing advancements, paper resource availability, paper sheet size changes, cultural preferences, and the evolving nature of movie marketing.
At Movie Posters Australia we tag each poster we sell with a 'size' and 'condition' description at the very top of the page for our customers to easily see. There may however be some slight variations to sizes by up one inch due to variations in production and guillotine methods by printers over the decades.