20TH CENTURY (1934) Swedish 1Sh Movie Poster, Fuchs art, VF-NM - Movie Posters Australia
20TH CENTURY (1934) Swedish 1Sh Movie Poster, Fuchs art, VF-NM - Movie Posters Australia
20TH CENTURY (1934) Swedish 1Sh Movie Poster, Fuchs art, VF-NM - Movie Posters Australia
20TH CENTURY (1934) Swedish 1Sh Movie Poster, Fuchs art, VF-NM - Movie Posters Australia
20TH CENTURY (1934) Swedish 1Sh Movie Poster, Fuchs art, VF-NM - Movie Posters Australia

20TH CENTURY (1934) Swedish One Sheet Movie Poster, Fuchs Artwork

$3,600.00 AUD
In Stock Pre order Out of stock

Condition Very Fine / Near Mint (9.0)

Size Custom Size (see Description)

20TH CENTURY (1934) Swedish One Sheet Original Vintage Movie Poster, Walter Fuchs art, Very Fine to Near Mint Condition   Movie Synopsis, Movie Poster, Artist & more 20th Century (Columbia Pictures, 1934)....

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Description

20TH CENTURY (1934) Swedish One Sheet Original Vintage Movie Poster, Walter Fuchs art, Very Fine to Near Mint Condition

 

Movie Synopsis, Movie Poster, Artist & more

20th Century (Columbia Pictures, 1934). Rolled, Very Fine / Near Mint. Swedish One Sheet Movie Poster (27" X 39.5"), full bleed (print to the edge of the poster) stone lithograph artwork by artist Walter Fuchs.

Twentieth Century is a 1934 American pre-Code screwball comedy directed by Howard Hawks (starring John Barrymore), and Carole Lombard. Much of the film is set on the 20th Century Limited train as it travels from Chicago to New York City. Ben Hecht and Charles MacArthur adapted their 1932 Broadway play of the same name, itself based on the unproduced play Napoleon of Broadway by Charles Bruce Millholland, and with uncredited contributions from Gene Fowler and Preston Sturges. Walter Fuchs artwork has placed Lombard and Barrymore in a striking profile on this very rare stone lithograph Swedish original release movie poster. This rare item would make a stunning art piece on any wall, or add a desirable piece to any movie poster collection.

Along with Frank Capra's 'It Happened One Night', also released in 1934 and coincidentally has the same music over the opening titles, 'Twentieth Century' is considered to be a prototype for the screwball comedy. 'Howard Hawks' rapid-fire romantic comedy established the essential ingredients of the screwball – a dizzy dame, a charming but befuddled hero, dazzling dialogue, and a dash of slapstick. Its success propelled Lombard into the front ranks of film comediennes. The film was added to the National Film Registry of the Library of Congress in 2011.

For more information about the movie and posters click here.

Condition

The poster shows only very light fold wear. Although folded many years ago, the poster has been stored flat for many, many years and the original folds have all but flattened out, and are only visible on very close inspection. The item will be shipped rolled and carefully packed. This 90 year old poster is in Very Fine / Near Mint condition.

Special Notes

Images may have a small 'MPA' digital watermark and this does not appear on the poster. Posters are being held by magnets in the corners to take photographs, so you may see some magnet and shadows from the magnets in these areas. The magnets are not included in the sale of the item.

Postage, Insurance & Your Country Taxes

Postage costs are quoted for this item, include insurance up to AUD$100, but if you reside outside of Australia, the price does not include any import taxes/fees that you may be required to pay when the item reaches your borders. Please check with your local authorities for any additional taxes or fees. If you would like full insurance coverage for your purchase, please message me and I would be happy to quote the additional cost (estimate is AUD$2.50 p/AUD$100 or 2.5% of the item value, up to a maximum item value of AUD$5,000).

FAQ

Who is Movie Posters Australia?

At Movie Posters Australia, the love and conservation of movie posters comes first, and we like to share this passion. Our commitment to quality means we will provide high quality memorabilia to our customers. Posters are carefully chosen and authenticated to ensure originality and value. We want our customers to trust MPA, so we always try to be as open and transparent as we can, provide detailed condition information and images, to ensure customers are comfortable and confident in their purchase.

What do your condition ratings mean?

While the industry does have a few condition rating standards, there is no movie poster condition rating system that has become the accepted standard world wide. This unfortunately makes condition terms vary from movie poster dealer to movie poster dealer. Terms like Mint, Near Mint, Very Fine, Fine, Very Good, Good, Fair, Poor, seem to be universal to most condition rating standards, but most standards still lack definition about what and how many flaws/defects/damage defines a specific condition level. For more information on how Movie Posters Australia grades the condition of its movie posters, daybills, lobby cards and other ephemera please see out Movie Poster Condition and Grading page.

What are the movie poster sizes and why are they different from country to country?

In the early days of cinema, posters were primarily hand-drawn and printed in various sizes, often tailored to fit the available space in theaters or promotional areas. In the United States, the "One Sheet" size (some times called '1 Sheet' or '1SH' approximately 27" x 41", became the standard during the 1930s. This size was manageable for theater display and suited the needs of a growing film industry.

Different countries developed their own poster sizes and styles, which also changed sometimes over the decades, and were influenced by local preferences and practical considerations, like available paper sheet sizes and how many posters could be printed on one sheet.

In Australia, the most popular size, the Daybill, has evolved over the decades. Australian Daybills sizes in chronological order are:

  • Long Daybills (15" x 40"), from 1920's to pre-WW2 or pre-1941, were printed two to a sheet, longer than current Daybill versions. There were size variances in width from 14.5" to 15" and in height from 39.5" to 40".
  • War Time Daybill (10" x 30"), during WW2, for a short time to conserve paper during a war time shortage, four Daybills were printed on one sheet. Information from Press Sheets also referred to these War-Time sizes as "New Size Daybills".
  • Post-War Daybill (13" x 30"), this 13" x 30" Post-War size carried through until the 1980's, but also varied in size from 13"-14" x 29.75"-30.25".
  • Post-80's Daybill (33cm x 66cm, or 13" x 26"), over a few years in the late 80's, the size changed again to a metric 33cm x 66cm, although these have also varied from 32-33cm x 64.5-66cm. New sizes from the late 80's were created, sometimes called a Mini Daybill or Mini Poster, in 9" x 12", 11" x 17" and 13" x 20".

In the UK, the somewhat unique 'Quad' poster, measuring 30" x 40", became popular, offering a larger landscape format that allowed for more elaborate designs.

In Japan, movie poster sizes were smaller, such as the "B2" (20" x 28"), which suited the more compact living environment of larger cities, smaller advertising spaces, and unique aesthetic sensibilities.

The 1970s and 1980s, witnessed the rise of the "six-sheet" (81" x 81") format, reflecting a trend towards larger and more visually impactful advertising.

Overall, the variation in movie poster sizes across different countries and decades highlights the interplay between technological printing advancements, paper resource availability, paper sheet size changes, cultural preferences, and the evolving nature of movie marketing.

At Movie Posters Australia we tag each poster we sell with a 'size' and 'condition' description at the very top of the page for our customers to easily see. There may however be some slight variations to sizes by up one inch due to variations in production and guillotine methods by printers over the decades.